BIKKEL
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Olieverven BIKKEL 2010
uit 2009 tot 2010, reageer naar de kunstenaar (klik op de afbeelding om het werk groter te bekijken)
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Manipulashon Genetico 42010 |
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Manipulashon Genetico 52010 |
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genetische manipulatie. |
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Manipulashon Genetico 32010 |
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Manipulashon Genético 12009 |
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Genetische Manipulatie van Gewassen Klonen van Mensen
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Manipulashon Genético 22009 |
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Genetische Manipulatie van Gewassen Klonen van Mensen |
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Daddy is Coming2010 |
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Daddy is Coming |
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Daddy is Coming 22010 |
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Daddy is Coming |
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Muhe di Corsou ku Mucha na Berde2009 |
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Moeder en Kind van Curacao |
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Muhe di Corsou ku Mucha na Kolo di Rosa2009 |
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Moeder en Kind van Curaçao |
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Pishiporko i Tulip ku Bikkel2009 |
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Als kunstenaar heeft Bikkel een eigen taal ontwikkeld, waarmee zij de toeschouwer emotioneel raakt. Door haar eigen multiculturele achtergrond maakt Bikkel de toeschouwer zich bewust van de waarde en het behoud van de nationale cultuur. Hedendaagse Multiculturele invloeden en de interpretatie daarvan door Bikkel in beeld gebracht. Veel mensen zullen zich hierin herkennen. |
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Poseidon ta Drumi2009 |
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Poseidon ta Kana2009 |
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Poseidon ta Kana
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Poseidon i Ponchi Willemstad2009 |
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Poseidon i Toubot Malena2009 |
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“ " There is no reason not to consider the world as one gigantic painting." Robert Rauschenberg once said. Contemporary artist Bikkel mythologizes the everyday in sweeping brushstrokes and exuberant hues. Working in oil on linen, Bikkel playfully re-interprets nautical scenes, injecting them with legendary figures and a spiritual significance. Combining figuration and abstraction, Bikkel's work provides an aesthetically unique viewpoint on contemporary life and its effect on the natural world. A modern tug boat seems to float through an imaginary dimension, suspended in a chimerical sea as Poseidon comments the activity of the scene. Bikkel masterfully employs a drip technique and multi-coloured, shimmering washes to imbue the image with an aquatic sensation. Diaphanous paint application adds to the dream-like effect. However, inky, black forms often drift into the scene, creating a sense of tension and foreboding. A recurring pattern dominates the background, its composition reminiscent of fish scales and fish nets, obligating the viewer to consider the duelling forces of man and nature and the destructive influence of pollution and over-fishing. The monumental figure of Poseidon seems to defiantly struggle against the dark changes which overtake the sea but finds himself powerless to stop them. ..............” Ruthie Tucker Executive Director-Curator Amsterdam Whitney Gallery 511 West 25th Street, Chelsea New York, NY 10001 |